Night Mail

The 1936 short film Night Mail was influential in the emergence of a documentary cinema movement in the United Kingdom. The highly acclaimed piece, which featured WH Auden’s famous poem, experimented with cinematography, narrative, sound and editing in a way few British films previously had, while taking plenty of inspiration from the cutting-edge foreign cinema movement of the time.

The seminal 35-minute film charts the journey of the Travelling Post Office, an overnight train service from London Euston to Aberdeen that had its own sorting office on board.
Featuring a narrative structure focused on the themes of national, regional and community integration, it has a narration track, musical numbers and wonderful poetry from WH Auden that matched the quickening cadence of the train as it rattled across the tracks. 
At this point you may be surprised to hear the GPO Film Unit, which produced the film, was part of the General Post Office BT’s forebear.

John Grierson and films with a social conscience

The GPO ran a ground-breaking film unit between 1933 and 1940 and, while some of these PR films were public service announcements designed to explain the general functions and workings of the GPO, many enabled a broader range of artistic impression.
Night Mail, directed by Henry Watt and Basil Wright, written by John Grierson and featuring music from Benjamin Britten, is the most renowned of those films.

BFI historian Ian Aitken salutes the ambition of what was essentially a promotional film: “By 1936, film output at the GPO Film Unit was divided between the production of relatively routine films promoting Post Office services, and more ambitious ones experimenting with the use of sound, visual style, narrative and editing technique. Night Mail is firmly in the latter category.”

Established by Steven Tallents (the GPO’s first Controller of Public Relations) in 1933, the unit’s aim was to promote the work of the GPO to the public, while also to raise the morale of its workers (at the time, Britain’s largest employer). During the eight-year life, the studio produced dozens of films pertaining to GPO activity and beyond. However, under the stewardship of Grierson, the studio would become a veritable film school for the brightest and most expressive young minds in British cinema. Given significant financial freedom and artistic impression these filmmakers were central to the emergence of documentary cinema in the UK. British novelist and playwright JB Priestley once observed: "Grierson and his young men, with their contempt for easy big prizes and soft living, their taut social conscience, their rather Marxist sense of the contemporary scene always seemed to me at least a generation ahead of the dramatic film people."

Researching documentary, specifically early documentaries, is important when it comes to planning my own. Researching and analysing these ideas can help give me inspiration for when I make my own. I liked the non-diegetic voiceover of the man reading out a poem which I may consider using in my documentary, even if it is not necessarily a poem.

 

 



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